For generations, the women of Gee’s Bend, Alabama—a small Black community on the Alabama River—have produced remarkable quantities of distinctive, abstract-patterned quilts of extraordinary inventiveness. They represent only a fraction of African American quilts made in America, but they are in a class by themselves. Geographical and social isolation created an unusual degree of cultural coherence in Gee’s Bend: three and four generations of quilters can be identified in the same families, passing down a flair for bold and improvisational geometries that transform salvaged work cloths and dresses, feed sacks, and fabric remnants into masterful designs. Continue Reading The Quilts of Gees Bend
Continue readingGee’s Bend: The Women and Their Quilts
By John Beardsley, William Arnett, Paul Arnett, and Jane Livingston, with an introduction by Alvia Wardlaw and foreword by Peter Marzio. Atlanta: Tinwood Books in association with the Museum of Fine Arts, Houston, 2002.
An expanded version of The Quilts of Gee’s Bend, featuring many additional quilters and more on their respective communities.



